As you read this, there are probably 100,000 aspiring poets scattered about the country chewing on pencils, staring at computer screens or scribbling in notebooks, all waiting for the magic of inspiration to cause words to leap out of their brains and come to order in the lines of a poem any of them would be elated to say, “I wrote that!”
Too bad there isn’t a test similar to the SAT, LSAT or MCAT to measure your potential for writing good poetry. By “good poetry” I mean poetry that won’t embarrass you if it falls into the hands of some jerk. Poetry you’ll write that will stand a chance of seeing the light of day in a respected writers magazine. We’re talking about poetry that will hold you in joyful anticipation of the evening you are scheduled to read it to an audience. If only you knew whether or not you have “it”, then you could . . . .
Here’s a chance to find out whether or not you have what it takes. Remember, this is a first for me, so don’t expect perfection. What you can count on though, is knowing if you’re lost in the forest or headed in the right direction. Also, I have studied and written poetry for a few years, so neither you or I are flying blind.
What follows is a twenty question self-scoring test. You may wonder what relevance some of them have to measuring a talent for poetry. You'll need 45-minutes to an hour to finish. Afterwards, take an hour or so to enjoy a cup of coffee or a cold beer and discuss the test with others who have taken it. You will find that every question you’re about to see is directly related to the question you want answered.
1. How many books have you studiously read on the art of poetry writing? 2. Do you have a specific time and place set aside for writing every day? 3. Do keep a daily notebook or journal to preserve your ideas and experiences as "grist for the mill"? 4. When taking a walk or driving, do you sometimes write a poem or part of one in your head? 5. In this age of free verse, do you see any value in studying traditional poetic forms such as the sonnet, ballad, villanelle or pantoum? 6. Do you occasionally read a dictionary for the fun of learning new words or using words you know in a different manner? 7. Do you know the difference between a metaphor and a simile and can you write one of each right now? 8. Do you buy one or more poetry books a months just for your reading pleasure? 9. Can you compose a poem using repetitive or similar sounds within its lines that contribute to its meaning or create an effect or mood without resorting to rhyme? 10. Do you avoid reading poetry from the 17th, 18th or 19th centuries because you find them dense, the language archaic or because your believe they lack relevancy in today's world? 11. Have you taken any high school or college classes on poetry what weren't required? 12. Would you look forward to attending a four or five day poetry workshop even if you had to pay the costs of tuition, meals and lodging yourself? 13. Have you, from time to time, read the poetry of writers from other parts of the world such as Poland, Spain, Italy, France, Brazil, Chile, Cuba, etc.? 14. When reading novels, history or biography do you occasionally pause to study how the author uses meter, color, sound, shape and images to relate a message, create a mood or reveal a character's personality? 15. Do you browse through art and photography books, go to arts and crafts shows or spend time to closely observe other art forms to expand your poetic vision? 16. Do you like being alone -- indoors or out -- to take the time to quietly mull over life's big issues, to study other forms of life and ways of living to sharpen your perception or to teach you to see and hear like a poet? 17. When you write, do you devote no less than two hours a day to it, five days a week? 18. When you go on vacation or away for four or five days, do you always take books with you? What kinds of books? 19. Do you belong to a poetry club that urges its members to have a new poem to read and discuss at the next meeting? Is the group a social gathering or is it one where the various aspects of poetry writing are discussed? 20. When you read someone else's poetry, can you tell if it's good or bad and why? This being my first go at putting together an exercise of this kind, I can't argue that it's comprehensive or authoritative. I did give it considerable thought and, among other things, brooded over several other questions that could rightfully be included. But I'm satisfied that the twenty we have here are sufficient to let anyone who dreams of becoming a poet-in-fact enough of a basis to know whether or not they are lost in the forest or doing enough of what it's going to take to give their dream life.

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